Learning Mandarin ……..

June 22, 2008 by kllrchrd

At four plus years of effort I am settled into a  CCTV textbook which stops me from whizzing around and writing up notes that can soon be forgotten. The CCTV Chinese 400 course was given to me by my penpal Xiao Xia when I knew her in England. Its virtue is that I can work over previous lessons and get the characters, hanzi (pron. ‘hanssurr) burnt into my brain. I am not that clever a person so the rote / repetetive approach is essential, just as in primary school years ago, re-testing myself over old notes.

I have a sheet of A4 with the 300 hanzi so far encountered on the CCTV course that I can sight read at random with another maybe 80 in addition learnt elsewhere. I seem to be merely learning characters, other courses and the indispensable Oxford Starter Dictionary provide me with phrases I’m more likely to remember.  Its just as well I like talking to myself……

Ting talking dictionary gives me good audio for correct pronounciation,   quick and easy.  http://hua.umf.maine.edu/php/search.php?eng=rice&p_input=&c_input=&search_limit=7&search_type=exact

Try to concentrate only on pinyin pronounciaton, however occasionally I work in the Wade Giles system as I have two invaluable dictionaries, a modern technical and a traditional huge tome that has beatifully drawn characters that help to get the ‘feel’ of a character. Also, Wade Giles with its alternative romanisation ie ni zeng shuo from pinyin becomes ni tseng shuo in WadeGiles so its a help in getting a good sound. I have started to learn a few lines of the knockout Rainie Yang song Jue Jiang (Stubbornness).  http://chinat0wn.blogspot.com/2008/04/rainie-yang-stubborness.html   Its useful to work through each character on paper and write down all the relevant dictionary entries.

A problem I have is that I cannot really assimilate / understand a character unless I know its associations and couplings with other characters in themselves as pairs forming new words, its only then that I can get a ‘picture’ of its intended use.

Any CCTV documentary on youtube has excellent voiceovers. Chinese newsreaders are phenomenal at tones. At random http://www.youtube.com/watch?v=zm1fGRHXYSA

Lastly, check out CCTV the English section, two good courses on there, tho in my opinion have too many instances of non native speakers occupying instruction time and the native speakers are a bit too fast.  http://www.cctv.com/english/vod/index.shtml The language courses are at the bottom of page, some very interesting documentaries as well. Beats UK tv…..

From experience try to be pen and paper based, and try to stick to a single course of instruction even if its only half of your study time (your ‘core’ course). Twenty minutes early morning and ditto before bed are sufficient to make valuable progress. Try not to get bogged down zipping around youtube.

Conversion chart pinyin to Wade Giles  http://www.heroic-cinema.com/eric/PYWG.html

Traditional names modernised to pinyin http://acc6.its.brooklyn.cuny.edu/~phalsall/texts/chinlng3.html

www.cslpod.com is useful, tho no pinyin for beginners, not really a problem as the dictionary soon solves that.

Yesterday found http://www.youtube.com/watch?v=015uo0nVeuA this man has over a hundred quick lessons, hearing and seeing himself explain the lessons adds to the learning experience. Can be a bad acoustic, tho stick with him, the oudoor locations provide a sense of real China. I appreciate his efforts. Xiexie fushoubing.

Chinese Cinema - Cui Wei.

May 6, 2008 by kllrchrd

红旗谱01

Chinese actor and director Cui Wei really impressed me in the Chinese 1960 film ‘Hong Qi Pu’ (I translate as Hong Qi Story).

 I’ve blogged on this film previously, even tho I cannot follow the spoken Mandarin I really am enthralled by it. Exciting music soundtrack too. Cui Wei looks a really good bloke and has the looks and manner that ‘gets the audience with him’.

See my March 13th 2008 post for url and basic info:

http://www.youtube.com/watch?v=lDmwuwPXMpg

You need to get a few minutes into it, then it really does shine. You don’t need Mandarin to follow it.

Today my e-mail penpal Jia Ying has most kindly scouted around the web in China for me to obtain some good information on this much loved and respected actor/director - Cui Wei. I’ve put all the info thro google machine translation, so Hong Qi Pu turns out as Red Falg Spectrum - I have a hunch it should read as Hong Qi (ie name) Story. Important - notice at the end that Cui Wei suffered during the Cultural Revolution and died soon after, just as another much loved and popular actor did - Zhao Dan.  Remember him in Malu Tianshi with Zhou Xuan? Both actors were persecuted during the Cultural Revolution by Maos evil wife Jiang Qing, a would be actress. They suffered terribly and died of their ill treatment.

Cuiwei

Birth and Death in :1912-1979

Resume:

Shandong Zhucheng County. Young family poverty, child labour has done. 1930-Shandong Provincial Experimental Theatre playwright class learning. In 1932 and joined the left-wing dramatist at the Qingdao UNITA. 1935 to Shanghai, workers engaged in theatrical movement, and “put aside your whip” into the repertoire of street performances, the drama starring his Maiyi law ham, the people of the great impact.

Went to Yan’an in 1938, teaching at the Arts Theatre of the An Lu Yan.

1949, the army southward, was appointed as Secretary for Cultural Affairs Bureau and South Africa, and other staff. He was selected as the third NPC, was the fifth member of the CPPCC National Committee, the recommendation of members of the Chinese Drama Society executive director of the first session, Zhongguoyingxie second and third executive director of the Beijing Film system Studios leadership team members.

1954 Cuiwei first boarded the silver screen, in the history of feature films, “SONG Jing Poems” in a peasant uprising leaders SONG Jing end of the Ching dynasty poetry. Since then, he starred in movie “Soul of the sea”, “new veterans”, “red flag spectrum”, particularly in the “red flag spectrum,” Zhu Laozhong in shaping the image of the most successful,

Cui Wei, director debut is “Song of Youth”, after which he also directed the excellent feature films “Xiaobingzhangga”, “Tianshan the saffron”, outstanding opera film “Fugitive”, “Ye Zhulin,” “Mu Guiying World War Hongzhou. ” He directed the feature films there is a magnificent, thick rough artistic style. He is the director of the opera-opera music with the rhythm, time and space to play the film features, greatly increasing the appeal of the original show.

Major works:

1955: SONG Jing Shi (performance)

1956: L. Ling (performance)

1957: Soul of the sea (performance)

1959: Chuan new veterans (performance), Song of Youth (director, co-operation with CHEN Huai-Ai)

1960: red flag spectrum (shows), Fugitive (traditional opera films, directors, and CHEN Huai-Ai cooperation)

1961: Great Northern Wilderness (director, co-operation with CHEN Huai-Ai)

1962: Ye Zhulin (traditional opera films, directors, and CHEN Huai-Ai cooperation)

1963: World War Hongzhou Mu Guiying (traditional opera films, directors, and CHEN Huai-Ai cooperation), Xiaobingzhangga (director, and Ouyang red cherry cooperation)

1964: the Tianshan safflower (Director)

1974: Plain operations (opera films, directors, and CHEN Huai-Ai cooperation)

1975: Hong Yu (Director)

1976: Shanhua (Director)

1978: stormy Miles (Director)

Winning record or a major contribution to:

1962 because of “red flag spectrum” of the First Hundred Flowers Film Award Best Actor Award.

1962 because of “Fugitive” was the first “public film” Hundred Flowers Award for best opera film.

1980 because of “Xiaobingzhangga” children’s literary and artistic creation of national first prize.

In 1995 to commemorate the 100th anniversary of the birth of the film world, the birth of Chinese films in the activities of the 90th anniversary of the China Film Award Actor Award.
February 7, 1979 death of the famous director Cui Wei.
     Cui Wei, the 1912 Health, Shandong Zhucheng people. Participate in the early 1930s left-wing activities. Jin Ying in 1956 when his North
Rapporteur. He played the SONG Jing poem ( “SONG Jing poem”), the river of war ( “veteran New Biography”), Zhu Laozhong ( “Red
Spectrum flag “), the role of China are the most glory to the screen the art of image and the image was first due to Zhu Laozhong
The “Hundred Flowers Awards” Best Actor Award. 1959 from the director, major feature films made by the representative of a “youthful vigor
Song, “” Xiaobingzhangga “,” Tianshan of saffron, “opera film” Fugitive “,” Ye Zhulin. “
 
 
 
 
Chinese film actors, directors. Formerly CUI Jing Wen (1912-1979.2.7), Cengyong Ming-Hui Choi, Choi Chun, a lunatic, later renamed Cuiwei. Zhucheng-chang Wang Bashan urban village. Famous film artist, playwright.
Born in poor peasant family, had done child labour. Mr Bailey secondary school in Qingdao, due to protest against the killing of communists were dismissed.
1930-Experimental Theatre Shandong Provincial learning scriptwriter. The following year returned to Qingdao, gull Jushe organizations, and cooperation with others created the Chiang Kai-shek did not reveal the resistance of the multi-Muju “order! Retreat second line of defense.”
In 1932 to join left-wing dramatist Union, the rotation of persecution because of the Kuomintang fled to Peking, in the National Institute of the Arts Theatre of learning.
1935 to Shanghai, to join the East Jushe, drama clubs and other groups living, created and performed to reflect the lives of workers stage “home workers”, as well as in various places in “lay down your whips,” publicity against Japanese aggression for national salvation.
The end of 1936 to participate in organizations such as Chen Bo son of the Shanghai women and children condolences to the front-line mission. After the outbreak of the Sino-Japanese War in “defending the Lugou Bridge,” created and performed, after joining a team of national salvation Dramas. 1938 to Yan’an, in Lu Xun’s Institute of the Arts drama department to teach. He joined the Communist Party of China. After the Shanxi-Chahar-Hebei Anti-Japanese Base Area in North China by the Joint University of the Arts School of Drama, FireWire Jushe leadership, created and performed “to participate in the Eighth Route Army”, “Three guerrillas of the story.” During the War of Liberation army to move south.
1949 as the Director of Wuhan Jun Guanhui art.
Established in 1950 and South Africa Institute of Arts.
China and South Africa in 1953 the Culture Secretary, the President of China and South Africa People’s Art Theatre.
1955 feature film starring “SONG Jing Shi.”
In 1956 he was appointed Beijing Film Studio actors and directors. China’s first executive director of drama, Zhongguoyingxie second and third executive director, the third of NPC deputies, the Fifth CPPCC National Committee members.
1962 because of the movie “Red Flag spectrum” of playing the protagonist Zhu Laozhong Hundred Flowers Film Award was the first best actor award. Film director Shi Yubu, “Xiaobingzhangga” in 1980 by the National Children’s literary and artistic creation award; operatic arts film “Fugitive” in 1962, the Hundred Flowers Film Award for best opera film.

Born in poor peasant family, 10-year-old father Tao Huang Qingdao, the Qingdao to 12-year-old child when the tobacco companies. After the support of friends and relatives to school. He loved art, Mr Bailey secondary school in Qingdao, a lot of progress in reading literary books, which inspired the revolutionary ideology and the pursuit of artistic progress, 1927, due to protest against the killing of communists; write Dayou Shi opposition Kuomintang, the “fight tooth - “Sing the KMT” National Anthem “and expulsion. After the turn Qingzhou secondary schools, because to write “A Glimpse of rural life,” the article exposing the collusion between the bandits prey on the village landlord, was deported. 1930 was admitted to the Shandong Provincial Experimental Theatre. The following year returned to Qingdao, 1932 to participate in Leftist Association and the organization of seagulls Jushe and cooperation with others to expose the creation of non-resistance of the Chiang Kai-shek more Muju “order! Retreat second line of defense “because of progress in drama performances by arresting authorities. After the rotation because of persecution of the KMT fled to Peking, 1933 Summer, alias Choi Chun was admitted to Peking University, to continue to engage in drama activities. 1935 to Shanghai, took part in the leadership of the Leftist Association Eastern Jushe, drama and social life of the Shanghai Association of amateur theatre, the organization created and performed by workers stage of life, “the workers home,” “This is the factory of the rules,” “Abortion” and so on, in 1936 and starring adaptation of the famous street theatre “put aside your whip” and performed in various places, the propaganda against Japanese aggression for national salvation. The end of 1936 to participate in organizations such as Chen Bo son of the Shanghai Women and Juveniles front-line condolences to corporations, Suidong to perform front-line condolences, the preparation of the drama “reviewer East Night”, children’s drama “wall.”

     After the outbreak of the Sino-Japanese War, to participate in the leadership of the CPC Shanghai Dramas a team of national salvation, and rushed to the western part, created and performed reflecting the people’s anti-Japanese struggle of the drama “Zhang shop”, “obedient citizens”, “Babaizhuangshi” and “defend the Lugou Bridge” And so on. February 1938, at the invitation of the CPC Central Committee Propaganda Department, to participate in Yan’an Lu Xun Arts Academy the lead, and in the hospital drama department to teach the same year in July to join the Communist Party of China. During participate in the performance of the “human traffickers”, “Liukou captain”, “Blue burden.” 1939 in North China Union University School of the Arts Department of Drama, FireWire Jushe leadership, created and performed “to participate in the Eighth Route Army”, “the story of the three guerrillas”, “miners teams”, “Huang Shulang chicken to Betty,” “light moths In mind. ” 1942 was transferred to the Central Hebei Military Region FireWire Jushe president, participated in the struggle against anti-Jizhong, creating a “combat the production,” “Hero, who”, “anti-Di Wei collusion”, “civil-military cooperation in fighting Laojiang”, “16 guns “Drama, Peking opera adaptation of” Death of Yue Fei “and” cry Temple, “” Suzhou City. ” In 1948 the army to move south. 1949 as the Director of Wuhan Jun Guanhui art. Established in 1950 and South Africa Institute of Arts. China and South Africa in 1953 the Culture Secretary, the President of China and South Africa People’s Art Theatre. During the preparation of the drama “can not really see it is false,” “right” and the Beijing Opera “Tung Ping House” and other operas. 1954 was invited to film “SONG Jing Shi”, succeeded in shaping a peasant uprising leaders SONG Jing Shi heroic image. 1956-Beijing Film Studio as the Artistic Director of the Commission and director, has starred in “Soul of the sea”, “new veterans”, “red flag spectrum” and other films, the director of the “Song of Youth”, “Xiaobingzhangga” “Great Northern Wilderness”, “Tianshan Mountains on the saffron”, “Hong Yu,” “Shanhua” feature films and “Fugitive”, “Ye Zhulin” drama films. He film, in the traditional stylized drama performances, Rongjin the role of the experience factor, the camera angle and movement, to take the Chinese freehand brushwork paintings of the composition, actual situation phase, the sub-cut, is in line with the opera music Rhythm, time and space to play the film features, greatly increasing the appeal of the original drama, full of passion, a strong flavor of life, rough lines, feeling fine, has a unique artistic style, by praise at home and abroad. In his “SONG Jing Shi”, “the soul” and “new veterans”, “red flag spectrum of” playing the role of distinctive character, Aizeng clear, both filled with passion, deep and simple, has a strong artistic influence. In particular, his “red flag spectrum,” Zhu Laozhong in shaping the image of the most remarkable, first won the 1962 Baihua Best Actor Award. With the 1959 Chinese film delegation to the Moscow International Film Festival, starring the “new veterans”, the technology to raise Award. In 1962, “the film community,” the “Hundred Flowers Award”, the best actor award in 1995 to commemorate the 100th anniversary of the birth of world films, Chinese films of the 90th anniversary of the birth of Chinese films Century Award: Actor Award. He directed the film there is a magnificent, thick rough artistic style. In playing up the environment, with a strong sense of the times and spirit of life in the portrait figures, both strong performance at the theater movement, and efforts to explore the inner world of characters. “Song of Youth” in this style are the embodiment of integrity. He’s “Xiaobingzhangga” means mature, rich flavor and smooth the screen, children’s literary and artistic creation of national first prize. Cui Wei has also directed the “Fugitive”, “Ye Zhulin,” “Mu Guiying World War Hongzhou” operatic arts films. He directed the opera art film “Fugitive” in 1962, the Hundred Flowers Film Award for best opera film. With his
Director Cuiwei “veteran New Biography” played in the battlefield (the right)

His rich life experience and profound art-made market, will be different roles, different roles and personality of its own bold temperament, complete harmony as the combination of exceptional form, can not seek the case of China and the strong momentum of ethnic style, he Chinese film, theatre a history of the great masters, he painted a Chinese film in the gallery the most glorious history, be proud, proud!

Cui Wei is not only a deep knowledge of the artists, is also excellent literary and artistic revolution activists, for the cause of socialist literature and art have made outstanding contributions. He was selected as the third NPC, was the fifth member of the CPPCC National Committee, the recommendation of members of the Chinese Drama Society executive director of the first session, Zhongguoyingxie second and third executive director of the Beijing Film system Studios leadership team members. In the “Cultural Revolution” suffered cruel persecution, in February 1979 because of the death of liver cancer in Beijing.

End of Chinese machine translated text.

I am touched by this. I shall endeavour to find out more on the Chinese film industry during the Cultural Revolution.  

A Giant Squid……

May 5, 2008 by kllrchrd

is pictured on the tiscali homepage. I am appalled. The giant squid, poor thing should have been left alive if at all possible. In the text there is no hint of regret at the giant squid having been caught!

Surely any science that is not detached observation is bad science - ignorant science. Poking a dead mass is not very clever. Its wonderful to imagine how such a creature would look beneath the waves, did it have regular habitat, did it ever encounter other giant squid, what was its level of cunning and self preservation? I wonder how developed its vision was, its brain would process a vast amount of sensory input. Would it find another to procreate?

I find the pictures sad and sickening.

 

Chinese Cinema.

May 2, 2008 by kllrchrd

In response to ‘lactatingbookworm’  - quite by chance I have found and regard as quite good two books:

‘Chinese Cinema - culture and politics since 1945′ author: Paul Clark. ISBN 0 521 32638 9   Readable, not heavy going, tho not a lightweight either.

‘Perspectives on Chinese Cinema’. Edited by Chris Berry. ISBN 0 85170 272 4 pbk.  More like a PhD theses.  Enjoyable and not that heavy going, tho took me a while to get into it.

Postscript: Its a habit of mine to add bits to the last one or two posts. I need to find someone in China that can provide the information we need. I’m keen to know what happened to the Chinese film industry during the years of Mao and his evil twisted wife Jiang Qing. She had been a minor player in films and with gaining influence decimated the industry. Cui Wei and Zhao Dan suffered badly and died of their ill treatment during the Cultural Revolution. I have an e-mail from an expert and hope to learn more.

I see now a distinct difference between this blog of mine (here since Jan 2008)  and my older (Feb 2007)   http://kllrchrd.livejournal.com over on the slower tho still loved lj. The latter seems more coherent wheras here I seem to be a bit of a mess. Tho its nice to receive comments.

Both have only tiny mentions of the films and artists referred to so far in this blog so far. I am in touch with a Chinese penpal to find more. Its early days in my exploration, so far I’m very impressed with Zhou Xuan 周旋 , Zhao Dan, Cui Wei (Hong Qi Pu) and Tao Yu Ling (Liu Bao de Gushi).

I had forgotten abt the very useful www.chinesemirror.com website, devoted to the history of Chinese cinema. From that site here is an interview which includes recollections of the terrible days for the Chinese film industry during the merciless persecution by Maos wife Jiang Qing. http://www.chinesemirror.com/index/2007/02/silent_film_sta.html

I’ve known of this excellent site http://bystander.homestead.com/bashan1.html……for a year now. Click on his home page and see the other poems. An excellent read bringing out the humanity and warmth that can be incorporated in a Tang poem. I have the little book ‘170 Chinese Poems’  by the great scholar Arthur Waley. First pub in 1918, my edition 1940’s.  Got it off ebay for £2. Wonderful wonderful little word vignettes of personal outlook and regret, hope, whatever.

However a more recent book, cost me brand new price (I don’t have very much spare money) was to me a dissapointment. ‘Poems of the Masters’ by Red Pine. Sorry Bill I say this, no pinyin is a real drawback. I prefer to choose my own fluid translation, or see perhaps the not rigid possibilities of the translation (most important) and the fixed English translation laid down flat and bare on the page do not open the poem up. These poems are famous as subjects of cogitation and to ponder on.  The characters need to be larger, my sight is not as good. The characters are of great beauty in themselves - they need to be seen.  I’ve never looked at this book since I bought it. This highlights the pitfalls of buying books unseen and believing vacuous Amazon praise.  Still, its got a pretty front cover…..

We need some art here….

April 22, 2008 by kllrchrd

……so here is an absolute stunner:

Paul Uccello painted this around 1455, can now be seen in the National Gallery, London. :

If only I could paint like that……

And here is an interesting blog just found after ten minutes googling : http://www.henryjenkins.org/2007/01/more_thoughts_on_haw_par_villa.html

Well worth reading.

Animal cruelty.

April 11, 2008 by kllrchrd

I’ve blogged previously on my feelings re needless suffering. Tonight while driving to the horses a maniac driver came flying towards us, I froze, on the narrow country road I could see him in the rear view mirror bounce hideously as he went ‘off road’.  After we had fed the horses we took our usual tootling route back toward the mainroad. We were so sad, some piece of crap had killed a pair of ducks, a drake and his mate. At this stretch of very B road we saw the pair most nights. Waddling along like an old married couple. Now no more. Its highly likely it was the same piece of crap that passed us earlier at high speed. Feathers were scattered, most likely hit at speed. It fits.

We stopped and I put the pair of them on the verge. Both dead yet still together. These roads once or twice a year are used as a rally circuit. Something I detest. One year I gave a marshall a bloody good talking to. I hope he felt very frightened, it was pitch dark, because thats the emotion I wished to instill in him. There are hares which could be killed, ducks, moorhen, owls (lots), rabbits, sometimes lots of toads. I wonder if this piece of crap at high speed was timing the circuit? If there is a ‘rally’ within a week or two then I will do my best to disrupt it.

Postscript. A day later I am still upset and will always remember these two poor creatures being needlessly killed. As a dog walker I DO NOT want idiots careering about in cars, its getting dangerous. Luckily my hearing functions okay to hear their approach. They always get the old RAC one fingered salute!

Learning Mandarin…..

April 5, 2008 by kllrchrd

…is a good excuse to play Rainie Yangs ‘Jue Jiang’ many times. I stumbled upon this ravishingly beautiful singer a week ago. She is from Taiwan, born 1984 and is ‘big’ throughout Asia.  A lot of her work till now has been bubblegum pop, probably because her young looks mean she can continue to capitalise on that market. Yet this vid is her new more mature direction, an incredibly good song, very well produced and sung by a very talented Rainie:  http://www.youtube.com/watch?v=yNSIEflsQPQ

Here is pinyin for the song  ’Jue Jiang’, characters (hanzi) to follow:

ni zeng shuo yu xiao shi hou bie di xia tou
yao deng hou qi ji jiang luo
wo bu dong ceng xiang yi qi yong bao de can hong
wei shen me zhi sheng xia wo

*yuan lai ya ai qing shi bu hui liu xia shen me
zhi liu xia can que de meng
neng bu neng ba ni de ai jie dian gei wo
hao rang wo ji xu piao liu*

**wo de jue jiang - feng kuang - wu fa - cheng qiang - liu lang
shi fou zhi sheng yi ge ren zai ji mo zhan chang
ni de mo yang shuo huang - yan guang - zhuang sha - duo chang
wo tao wang**

*Repeat
**Repeat

wo de jue jiang - mi wang - qu chuang - pang huang - bei shang
shi fou ying gai bu ji yi qie qu di kang

ni de mo yang bu xiang - yi wang - piao dang - yao huang
wo tou xiang

I hope to find the characters/Hanzi somewhere.

 

She co-starred in the film ‘Spider Lilies’ which resulted in an appearance at the Berlin Film Festival in 2007. There are lots of Rainie Yang youtube clips. Heres a clip of the ‘Spider Lilies’ lesbian embrace, Rainie has certainly left the bubblegum behind. http://www.youtube.com/watch?v=55WWN1HVmZ4

I hope she can control her life, find genuine real people and take time out to be quiet and re-charge. I am very impressed with her looks, yet an old gaff re Sino-Japan war on a shallow trashy quizz show in 2003 continues to haunt her and impedes any appreciable activity in mainland China. I hope this silly error on a silly tv show is forgotten as time passes.

Good luck Rainie - real name Yang Cheng Lin.

 Oh yes, just found http://chinat0wn.blogspot.com excellent for pop lyrics in Mandarin.

Here are a few pics less easy to find on youtube:   http://www.youtube.com/watch?v=rnb2veoABo0

POSTSCRIPT: A REQUEST TO AORIJIA HAS RESULTED IN HER POST WITH FULL PINYIN AND CHARACTERS.  I am so happy - this song rates as one of the most beautiful pieces of music I have ever heard. For Rainie Yangs ‘Jue Jiang’ which means ’stubbornness’:

http://chinat0wn.blogspot.com/2008/04/rainie-yang-stubborness.html#links

Thankyou so much Aorijia

Tao Yu Ling, actress ‘Ninety Nine Sunny Spring Days’.

March 24, 2008 by kllrchrd

 

Tao Yu Ling is the wonderful female lead in ‘The Liu Bao Story’ ie in Chinese pinyin is ’Liu Bao Ge Shi’. This is where the song ‘Ninety Nine Sunny Spring Days’ is from.See my previous post for clips to view:

http://kllrchrd.wordpress.com/2008/02/01/more-chinese-cinema/

My Chinese penpal Zhang Jia Ying has managed to find this for me, I am delighted!

Here is the introduction I find on the internet:
陶玉玲:中国影视女演员。1934年生于江苏镇江。1949年入华东军政大学文艺系戏剧队学习。1951年到华东军区文艺干部训练班学习。1952年任南京军区前线话剧团演员,演出过《东海最前线》、《刘莲英》、《霓虹灯下的哨兵》等话剧,获第四届全军文艺会演优秀演员奖。1956年因在影片《柳堡的故事》中演二妹子出名。1972年任南通市文工团团长,1975年任前线话剧团任演员队长,1978年任八一电影制片厂演员,先后参加《二泉映月》、《归宿》等影片的拍摄。因电视剧《张培英》的表演创作获全军第五届电视剧最佳女演员奖。多次获各种奖励,并于中国电影诞生90周年之际获表演艺术成就奖杯。于2005年获得中国电影表演学会授予的“百位优秀演员”称号、国家人事部广电总局授予的“有突出贡献电影艺术家”荣誉称号。
I also found some pictues about her.
Enjoy!!
I think you will be like to see this film:我的父亲母亲(wo2 de1 fu4qin1 mu3qin1).
I traslate it as “the love story between my parents”.It is an old film too. 
Thanks Zhang Jia Ying.
Which from google translate gives:
Daoyuling: China Television actress. Born in 1934 in Zhenjiang, Jiangsu. 1949 military and East China University of Arts Drama Team of the study. 1951 Huadongjun Arts cadres to study and training courses. 1952 frontline of the Nanjing Military Region Repertory Theatre actor performed the “East China Sea in the front line”, “Liu Lianying”, “under the neon lights of sentinel” drama, literature and art of the fourth army to develop outstanding Actor Award. 1956 for the film “Liu Fort Story” in the famous speech Ermeizi. In 1972, he became head of Wengongqiu Nantong City, in 1975 as the frontline Repertory Theatre actor captain of the 1978 August 1 Film Studio, actors, took part in the “central government”, “end” and other film photography. For TV drama “Zhangpeiyang” Creation of the military performing fifth best TV actress award. Many of incentives, and the 90th anniversary of the birth of Chinese films of the achievements of the performing arts trophies. In the 2005 film performances of China Institute awarded the “100 outstanding performers” by the State Ministry of Personnel Administration of Radio, Film title “outstanding contributions to film artists” Honor.
Incredible. She is so lovely’ I was smitten when I first found the ‘Ninety Nine Sunny Spring Days’ clip on youtube. I wonder who wrote the song?

Chinese cinema.

March 22, 2008 by kllrchrd

In my quest to discover and enjoy Chinese cinema here are further clips I have found.  

http://www.youtube.com/watch?v=VSASagVb-PE&feature=related

http://www.youtube.com/watch?v=79zLlo_IIDA&feature=related

The latter translates something like ‘The Hong Lake Water’. I will clarify in time.

Mandarin tips.

March 21, 2008 by kllrchrd

Found this recently:

http://www.podomatic.com/people/index/ellenschinese

Very good, a little on the next level for me, yet I can catch parts.

I got this via http://ellenschinese.podomatic.com/

Which in turn came from:

http://friedelcraft.blogspot.com/

Take the time to explore these.I like ‘em all, was struck by the freshness of the ‘ellen podcasts’.

To get an accurate Mandarin sound is not easy, mouth geometry /tongue position is important, here is useful info:

http://www.sinosplice.com/lang/pronunciation/04/